[WARNING: Seriously long review ahead; I just couldn't help myself. – Also, I've appended spoiler tags for good measure, but the vast majority of events mentioned in this review are a matter of historic record.]
And here I prophesy: this brawl to-day,
Grown to this faction in the Temple-garden,
Shall send between the red rose and the white
A thousand souls to death and deadly night.
William Shakespeare: King Henry VI, Part 1
It's a resilient shrub, planta genista (the broom shrub) – does best on dry and poor soils and when left to its own devices, and spreads like wildfire unless its roots are literally swamped. It is a common sight in the Anjou region of France, which may have been why 12th century nobleman Geoffroy d'Anjou, Count of Anjou and Duke of Normandy, husband to the Empress Maud and father of King Henry II of England, took to wearing a sprig in his hat. From that habit grew his epithet, and from his epithet a name; that of the House of Plantagenet, which before long was firmly implanted not only on the English throne but had also spread like wildfire among the ranks of the English nobility.
The royal Plantagenet arms
The Plantagenets ruled England for some 300 years, but from the beginning they were not a peaceful dynasty: Henry II quarrelled bitterly (and perhaps prophetically, over the respective powers of Church and State) with the charismatic Archbishop of Canterbury, Thomas Becket, whose murder he may or may not have ordered; and he quarrelled even more violently with his wife, the strong-willed Eleanor of Aquitaine, and his sons, (Young) Henry, Geoffrey, and Richard, later known as "the Lionheart." Richard, in turn, would see his brother John trying to take his kingdom away from him while he was in captivity in Germany; nevertheless he very generously forgave John, however, and, having no legitimate heirs of his own, named him heir to his throne upon his death. (This was, of course, the John they nicknamed "Lackland" (Johan sanz terre) after he had lost Normandy to the king of France; the King John of Magna Carta fame (or infamy) and of Robin Hood lore.) And just as the Plantagenets' very ascendancy to power had already been brought on by a dynastic struggle – the so-called Anarchy, the (first) English Civil War between Stephen of Blois and Henry II's mother, the Empress Maud, ensuing when Maud's father Henry I of England (the last Norman king) died without leaving a son and Stephen challenged Maud's right to the throne – so, too, the dynasty's rule went down in the violent convulsions known as the Wars of the Roses; spurred on by a lethal mix of ambition, power grabs, greed, envy, injustice (both perceived and real), vengeance, cruelty, suffering, incompetence, and, quite simply, a vast surfeit of royal blood. And it didn't exactly help that the largest amounts of royal blood were not necessarily always accumulated in the veins of those who were actually occupying the throne.
Without going into a rerun of the details of the Wars of the Roses, in order to understand just how it had all gone wrong and into just what sort of royal mess (pun intended) Elizabeth of York and Margaret Pole – the heroines of Samantha Wilcoxson's wonderful biographical novels Plantagenet Princess, Tudor Queen and Faithful Traitor – were born, it's useful to contemplate for a moment the actual line(s) of succession from Henry II all the way down to Henry VII; though in truth, merely looking at the lower half of the family tree already tells a good part of the story: Ultimately, what would turn out to be one of the major ringers of the Plantagenets' dynastic death knell was the intermarriage of persons from the dynasty's various lines and the resulting accumulations of royal blood and, hence, competing claims to the right to rule. (For anyone who doesn't already know all about Plantagenet history, I've put a summary of the salient dynastic conondrums in spoiler tabs below the diagram.)
(To see a larger version of this image, click on this link
– you may actually want to keep the diagram open in a separate tab while reading on.)
The badges giving the Wars of the Roses their name
– the red rose of the House of Lancaster, and the white rose of the House of York –
and the red and white Tudor rose
Now imagine you're a girl born into the vicious tangle of Plantagenet blood lines in those final decades of the 15th century, like Elizabeth of York (born 1466; daughter of King Edward IV) and her cousin Margaret (born 1473, the daughter of Edward IV's brother George, Duke of Clarence):
Left: 16th century portrait of Elizabeth of York. Right: Portrait of an unknown sitter, traditionally thought to be Margaret Pole (c. 1535).
Practically from the moment of your birth (or as long as you can remember, at least), you will have seen your very own extended family – and with it, ultimately the entire country – entrenched on opposing sides of a battle for the throne of England that has begun a decade or more before you were born. If you are Elizabeth, you'll have seen even less of your father than any princess would ordinarily have, because he would have been absent most of the time defending his throne. (In fact, Plantagenet Princess, Tudor Queen, Elizabeth's story, begins while Edward IV is in temporary exile in Burgundy, thus missing the birth of his first son and heir apparent to his throne, and it then segues to King Edward IV's return to England in order to reclaim his throne once and for all). – If you are born after the Battle of Tewkesbury like Margaret, you may initially have believed your uncle Edward firmly installed on the English throne as King Edward IV, and you may or may not have been told in your early childhood already that your father once rebelled against his brother the king before you were born – my guess would be that you would have been judged too young to understand, but then, your childhood would have been vastly different from mine, so what do I really know –; but whatever the case, I don't want to have to begin to imagine the shock and heartbreak of experiencing your own father being arrested and, this time, being executed for treason, for yet another conspiracy against the king, when you were barely five years old.
The price paid by Margaret's father George for the path he had chosen will also have driven home to both of you, from a very young age onwards, that even close kinship by blood is no guarantee of either loyalty or mercy. Even less so are a "mere" kinship by marriage and a decade or more of close allegiance and friendship, as you will have learned when being told about Richard Neville, Earl of Warwick; the man they used to call "the Kingmaker" for his instrumental role in furthering the House of York's (your immediate family's) claim to the throne: your grandfather Richard, Duke of York's nephew-in-law, who nevertheless, upon falling out with Elizabeth's father and Margaret's uncle (Edward IV), changed his allegiance from "York" to "Lancaster," only to be killed in battle by his (and your own) Yorkist kinsmen even before the Lancasters' decisive defeat at Tewkesbury.
Center: King Edward IV (posthumous portrait, c. 1520, from a 1470-75 original); left: George, Duke of Clarence (posthumous portrait, 16th (?) century); right: Richard Neville, "the Kingmaker" (posthumous portrait, early 17th century).
Not even halfway through your childhood, you will thus have learned that there cannot ever be any such thing as unquestioning trust even between the closest of relatives, and that the word "cousin" (particularly when used as a form of address and not merely a term of kinship) is loaded with subtext – more likely than not, hostile in the extreme.
And the lesson will be driven home even more brutally only a few short years later through the fates of your brothers, your own generation's contenders for the throne, who will vanish behind the walls of the Tower, never to reemerge: Elizabeth's brothers (12 and 10 years old at the time of their 1483 imprisonment) with no news of their fate whatsoever and speculation running rife to this very day; Margaret's brother, likewise a mere 10 years old when taken, later executed on the orders of Elizabeth's husband, king Henry VII, after having lingered in the Tower for 14 years, for very likely trumped-up charges of an attempted jail break – more probably, for the simple reason of doing away with a contender for the crown with a better claim than Henry VII's own and that of his progeny.
Tower of London: The round building center/left is the Bloody Tower, where Elizabeth's brothers, today known simply as "the Princes in the Tower," are believed to have been held. (The square building center/right is the White Tower, the Tower complex's most prominent building, diagonally across from the Bloody Tower on the other side of Tower Green. The birthing chamber where Elizabeth of York died from the complications of her final pregnancy was on the White Tower's right side.) (photo mine)
Bloody Tower: Exhibition on the disappearance of "the Princes in the Tower." (photos mine)
For all that, you also know that, being of royal blood, you will be expected to marry, but that the choice of your husband will not be left to your own devices; it will be made for you on strictly dynastic grounds. In fact, you can consider yourselves lucky if your husbands are picked for you after, and not before you have reached the age of consent (ridiculously low as that used to be in those days from a modern point of view – the accepted age for girls was 12 and for boys 14 years of age): not that even technically having reached marriageable age will mean anybody will actually be interested in whether deep down inside, you consent to the match, of course. True, if you are Elizabeth you will be aware that your own parents' match in fact was most likely a love match (as was that of your maternal grandparents), but both matches seriously upset the plans that others had made for the respective spouses, and you cannot have any expectation whatsoever that you, too, will be allowed to get away with choosing your own partner in life. Quite to the contrary, you being the king's eldest daughter, this will be a matter of the highest diplomacy. – Indeed, your own royal pedigree, like your and Margaret's fathers', is particularly strong (much stronger than the competing one of Henry VI and his Lancastrian line), as your paternal grandmother Cicely Neville can trace her lineage back to Edward III in her own right, through none other than John of Gaunt (plus through the Neville line, also to Edward II): thus, in your fathers, no less than four dynastic Plantagenet lines accumulate – those of their paternal grandparents, plus those of their mother. And since Margaret's mother is also a daughter of the Neville family (the "kingmaker"'s elder daughter Isabel), Margaret and her younger brother Edward, heir to the title of Earl of Warwick are blessed (or perhaps, rather cursed) with yet another few extra pints of Plantagenet blood.
The Wheel of Fortune
(John Lydgate: Troy Book and Siege of Thebes,
c. 1457 with later additions;
British Library E027044 Royal 18 D. ii f. 30v)
While all of this, and in Elizabeth's case obviously also the fact that she is the reigning king's daughter, may make both of you highly desirable catches for some of your peers, at the same time it also poses a lethal danger to your very lives – and those of your children – if you should ever find yourselves on the wrong side of the dynastic wars. In Margaret's story, Faithful Traitor, as well as in several articles published on her own blog (A Tale of Two Cousins, March 2016) and that of the English Historical Fiction Authors, (Margaret Pole’s Wild Ride on Fortune’s Wheel, May 2016), Samantha Wilcoxson references the Wheel of Fortune, the medieval symbol for life's cataclysmic ups and downs: it's an apt reference, and indeed one of the many merits of her novels is not only to shine a spotlight, at all, on the lives of these two undeservedly-neglected women born at the tail end of Plantagenet rule, but also to show just how much Fortune's Wheel turned for many people in those years, and that often, no amount of skillful diplomacy would be able to prevent a catastrophic turn for the worse driven by forces entirely outside one's own control.
Both novels are told virtually exclusively from their respective protagonists' point of view: This in and of itself makes for an interesting perspective, as the events of the time only impinge on the narrative to the extent that they directly or indirectly also impinged on Elizabeth's and Margaret's lives. While many of those events obviously did, others are left out of the narrative entirely – so are, for example, the last (and most notorious) years of Henry VII's eventful reign, which Elizabeth didn't live through (she died in 1503), and during which Margaret for her part, impoverished after her husband's 1504 death, had retired to a monastery.
Both novels are, furthermore, structured strictly chronologically, which makes the course of events easy to follow: not unimportant when telling the life stories of two women who are given so much less attention in historical literature than, say, Henry VIII's (in)famous six wives. This is aided by the fact that in both books, chapter headlines are simply the dates of the respective chapter's events: So whenever, taken in by the narrative, you have initially skipped over the headline of the next chapter you are beginning and just read on, only to find that this present chapter's events are a bit further along in time than the previous one's, all you need to do is go back to the headline and take a look. ("Wait, err, what – where are we now? ... Oh, OK. June 1491. Well, now it's going to get really interesting then ...")
Most of all, however, in both novels, the author's genuine sympathy with, and empathy for her protagonists shines through, and it is this in particular that makes them a joy to read: This is an author who, having thoroughly researched these two women's lives, actually likes and appreciates them, and wants nothing so much as to share that feeling and convey to the reader that there are ample grounds to give Elizabeth and Margaret much more consideration than they have been given up to date. And in this, she succeeds admirably.
We pick up Elizabeth's story in November 1470, a few months before her fifth birthday, on the day her mother gives birth to Edward, the older of Elizabeth's two brothers; his parents' (and all the House of York's) hope for a continued Yorkist rule. As the young princess puzzles over events that are going not only over her own, but actually over most of her countrymen's heads ("She had heard that the Earl of Warwick was supporting old Henry VI as King now, but didn't understand why. Had he not fought with her father? Were they not cousins? How could there be so much confusion over who was king?"), her own birthday – still sans Papa – likewise comes and goes. A few months later, however, King Edward IV returns to England. He pays a whirlwind visit to his family (in refuge at Westminster Abbey for the time being) and is off again before you've blinked, this time to beat the Lancastrians once and for all. When we next see Elizabeth, she is 17, her father has died, and she and her siblings are declared bastards; thus clearing the path for the regency of her uncle Richard, Duke of Gloucester (originally merely appointed Lord Protector), who has also ordered Elizabeth's brothers Edward and Richard to be taken into custody.
Richard III (c. 1520 copy
of a lost contemporary original)
Which of course brings us to the unavoidable question that each and every novelist and historian writing about these years has to confront: Who exactly is this Richard Plantagenet, Elizabeth's uncle, who eventually succeeds his brother to the throne and rules as Richard III? Shakespeare's crookbacked villain or the noble soul of modern historical fiction like Sharon Kay Penman's The Sun in Splendour? Was Anne Neville, whom he had married after her first husband, Henry VI's son, had died on the battlefield, his true love, or was she coaxed into matrimony by his poisonous lies (and for strictly dynastic reasons)? Was Anne's rapidly declining health his own greatest misfortune or brought on by yet more poison, this time of the chemical kind, in order to free his hand for that of his niece Elizabeth (a third-degree kinship marriage, which would have required the Pope's dispensation)? Would Elizabeth (and her mother) have truly agreed to the match eventually, or would Richard have had to take recourse to deceit once more in order to win Elizabeth's hand?
In a January 2016 article published on the Henry Tudor Society's blog, Unmasking the Villain, Samantha Wilcoxson tackles the issue of Richard III's character and legacy jointly with that of the (almost) equally frequently maligned Henry VII, pointing out that there is good reason to believe both monarchs' modern perception to be unduly lopsided, and that just as neither of them (nor many another monarch from bygone days) would be able to stand up to modern standards of a fair and just rule, neither Richard III nor Henry VII were uniformly condemned by their contemporaries, and a disinterested look at their historical record as a whole would call for a much more heterogenous assessment, also duly taking into account the many ways in which both of them proved to be prudent, far-seeing and, yes, even benevolent rulers.
In Plantagenet Princess, Tudor Queen – having chosen to tell Elizabeth of York's story virtually solely from Elizabeth's own perspective – she need not be concerned with resolving everyone of the issues occupying historians in hindsight research; she obviously had to make up her mind, however, how Elizabeth herself and her mother, the dowager queen, would have seen Richard III ... and, of course, Henry VII. And here again, her choices are absolutely plausible: Unexpected, perhaps, in Princess Elizabeth's own case, who in the novel becomes more and more infatuated with Richard III, even as she can't fail to wonder whether the rumors that he was responsible for her brothers' disappearance are true after all, but certainly not wholly unlikely in a young woman experiencing courtship for the very first time, who is moreover effectively being told off by her mother (and teenage rebellion certainly wasn't born in the 20th century), and who by this time has been so thoroughly exposed to court intrigue that she knows that solely because someone is accused of a deed (even more so, behind his back), this doesn't necessarily mean he is guilty of it; even though she must also be aware of the fact that the, or at least one clear answer to the question cui bono? – to whose advantage [is the death or disappearance of Edward IV's sons]? – must be "Richard III": the man who, after all, also had Edward IV's entire offspring swiftly declared bastards as he himself moved from being Lord Protector to being King.
Left: Elizabeth Woodville as Edward IV's Queen Consort (c. 1471); right: Margaret Beaufort at prayer (painting by Rowland Lockey, late 16th century, St John's College, Cambridge)
The perspective of Elizabeth of York's mother, however – Elizabeth Woodville, the dowager queen – seems to be essentially the one we know from Shakespeare: a little less overtly hostile than in the Bard's rendition, perhaps, but having taken a close look at the available evidence and at the dynastic tableau, she has concluded that (1) almost certainly her beloved sons are dead (which also means that there is no hope for the York royal blood line to be continued through a male descendant), (2) the person most probably responsible for the death of her sons is Richard III (and there is no reason to let him reap any benefits from his deed), (3) Richard III's own son (another prince named Edward) has unexpectedly died at age 10, too, in 1484, so Richard's own direct line is extinct, and (4) it makes both dynastic sense and may well be in the best interest of the country – as well as being just revenge on Richard III for the deaths of her sons – to promise her daughter's hand in matrimony to Henry Tudor: that Welsh upstart, whose equally pious and calculating mother Margaret Beaufort (who had returned to court a number of years earlier as Lady Stanley, named for her fourth husband) has secretly been lobbying for precisely this union, for the obvious reason that it would add a potent dose of legitimacy to her son Henry's own, otherwise pitifully weak claims to the English throne.
Henry VII, holding a Tudor rose (1505;
National Portrait Gallery, London, NPG 416)
And thus begins the central and most interesting part of Elizabeth's story: Her transition from Plantagenet (York) Princess to Tudor Queen. To her (and her novelist biographer's) credit, this transition is anything but seamless: too great has been Elizabeth's infatuation with Richard III, too great her dismay over her mother's strictly political choice of Henry VII as her husband, and too great also, her disdain for the "Welsh milksop" she doesn't even know in person. And of course, from a novelist's perspective, we wouldn't get this beautifully-rendered internal conflict of Elizabeth's at all if she hadn't been so deeply in love with Richard III for starters.
But from these beginnings, Elizabeth matures into the woman that history (to the extent it bothers with her at all) has come to record – a faithful Queen Consort to Henry Tudor, with whom she will come to build a new dynasty from the ashes of the ruined and war-torn Houses of York and Lancaster. It's by no means an easy task, and Elizabeth has to swallow no small amount of blows to her dignity initially: The first decision that Henry VII takes is to date his reign from the day before his 1485 Bosworth Field victory over Richard III, thus making everyone of Richard's followers a traitor, never mind that all these men had gone to war believing they were fighting for their anointed king. He also delays his wedding with Elizabeth, and even when they are finally husband and wife, she – who, had she so chosen, would have been entitled to claim the throne of England as Queen Regnant in her own right – still has to wait until after the birth of her first son, Arthur, to even be crowned her husband's Queen Consort. The message in all of this is clear: Never mind how advantageous to him the union with the woman holding the strongest Plantagenet claim to the throne, Henry VII will govern by virtue of his conquest at Bosworth Field; not simply because he has married a woman about four times more entitled to his crown than he is himself.
And Elizabeth will have to swallow yet another setback when her innocent little cousin Edward, the young son of her uncle George, Duke of Clarence – like his sister Margaret a royal ward as a result of their father's execution – is taken into custody; and although Henry VII claims that he does "not intend to make war on ten year old boys," is sent to the Tower, where he will linger without even understanding what is happening to him, until he is executed 14 years later. As for the fate of Elizabeth's own brothers, Henry VII denies any and all responsibility and, like her mother, puts the blame squarely on Richard III. (Towards the end of the novel, when describing Elizabeth's final and erratic progress [= royal journey] through Oxfordshire, the Cotswolds, Gloucestershire, Somerset and Wales, Samantha Wilcoxson finally does reveal her own theory as to who was responsible for the disappearance and death of Elizabeth's brothers, and I'll bet you anything it isn't who you thought it might have been – I, at any rate, was as surprised as Elizabeth's fictional incarnation about the presumed culprit's name.)
Yet, the cruel fate of their brothers also brings Elizabeth and her cousin Margaret closer together, almost as close as Elizabeth and her surviving sisters; even if we will learn later, in Faithful Traitor, that Margaret does harbor some lingering resentment over Elizabeth's perceived failure to save Edward's life. – Securing marriages that are not only dynastically sound but that are actually unions with men whom her sisters (and her cousin Margaret) want to marry is only one of the manifold ways we see Elizabeth exercising her growing unobtrusive influence over Henry VII; and she even learns to quietly but resolutely hold her own against the domineering Lady Stanley, My Lady the King's Mother, who is determined that she will be second to none, not even to her son's wife and Queen Consort. We also see Elizabeth setting the example that countless queen consorts and presidents' wives have set over the course of the centuries, in doing good works, such as helping ease the suffering of those afflicted with the mysterious sweating sickness, the bane of the first Tudor kings' reign. When Henry VII's reign is challenged by pretenders like Lambert Simnel (whose claim to be Margaret's brother Edward, the last male York heir to the throne, is quickly quashed by dragging poor Edward from the Tower long enough to demonstrate that he is still alive, and Simnel isn't him), and by the much more dangerous Perkin Warbeck (an impostor claiming to be Elizabeth's own younger brother Richard), Elizabeth staunchly stands by Henry VII's side.
Because by this point, she no longer merely tolerates the notion of having had to marry this once-despised man: by this point, she has learned to love him – and here again, the novel stays solidly on the ground of demonstrable historical evidence: The couple's love is a matter of record, and so is Henry VII's complete and utter breakdown over the premature death of the woman who had born him four children that reached marriageable age and three that died as infants, and who ultimately risked her life – only to die herself, on her 37th birthday, February 11, 1503 – over the futile attempt to secure another male "spare" to their budding Tudor dynasty when their first-born son and heir Arthur died, leaving behind only one brother, the future Henry VIII, as Henry and Elizabeth's heir to the throne.
Henry VII and his children in black mourning robes and hoods after the death of Elizabeth of York; in the top left corner, a grieving Henry VIII curled up and sobbing over his mother's empty bed. (Presentation page of the Vaux Passional, early 16th century; Peniarth 482D.)
"Elizabeth's personal decision to choose peace and the greater good of her kingdom over personal glory and ambition was vital to England's future and was a form of self sacrifice that few of her ancestors had been willing to make," Samantha Wilcoxson writes in a March 2016 blog post (The Quiet Strength of Elizabeth of York), and she concludes:
"Perhaps this Plantagenet princess who became a Tudor queen deserves a bit more credit for her quiet strength that saved England from more bloody battles for supremacy."
There is certainly something to be said for this, and having read both Samantha Wilcoxson's novelized biography of Elizabeth of York and that of Elizabeth's cousin Margaret Pole, one cannot but be reminded that focusing on them some of the attention so richly lavished on Henry VIII, his six wives, and his daughters (especially Elizabeth I) is long overdue, and can only add to broadening our understanding of the era, of just what it meant to be a woman having to make her way through the poisonous web of Plantagenet and Tudor society; what challenges life would set for you (always knowing that making the wrong choice might be synonymous with instant death, not only of yourself but also of others), to what heights the Wheel of Fortune might take you, but also how deeply it might crush you.
Faithful Traitor, the story of Margaret Pole, picks up where Plantagenet Princess, Tudor Queen ends, with Elizabeth of York's death. As with Elizabeth's own story, however, the early glimpses we gain of Margaret's life are brief and fractured; we stay with her long enough to see her happily (though all too briefly) married to Sir Richard Pole, the Welshman to whom Henry VII had consented to see her married; as Samantha Wilcoxson would have it in Elizabeth of York's story, chiefly with Elizabeth's support, though it is probable that Henry's mother Margaret Stanely (née Beaufort) also had a hand in this match: Richard Pole's mother Edith was Margaret Beaufort-Stanley's own half-sister, a daughter of the loyal St. John family into which the half-sisters' joint mother had married before taking Margaret Beaufort's father as her second husband, after her first (St. John) husband's death. – Richard Pole had never given cause to doubt his loyalty to Henry VII, so entrusting him with a York heiress's hand in marriage would have been considered a politically "safe" choice; much more so than marrying her to someone who might be tempted to capitalize on her potential claim to the throne. At the same time, Pole was not of a particular high rank; even though Henry VII, who greatly appreciated him, would later elevate him and make him a Knight of the Garter, as well as Chief Gentleman of the Privy Chamber of the Tudor heir apparent, Prince Arthur. As a result, Pole neither carried the financial nor the dynastic weight that would have made him a risk to the Tudors. In fact, at his premature 1504 (or possibly 1505) death, his wife Margaret found herself in such financial dire straits that she had to rely on Henry VII and on friends to cover the costs of his funeral. She also entrusted her son Reginald to the church to ease the costs of his education, and took refuge herself, until 1509, at the Bridgettine Syon Abbey near Twickenham and near the royal palace of Sheen (later: Richmond).
It would be King Henry VIII who, succeeding his father to the throne of England after the deaths of Henry VII and his first-born son Arthur, would cause Margaret Pole to leave Syon Abbey and return to court, as a companion and lady in waiting to his new wife Catherine of Aragón. Margaret had first met Catherine when the Spanish princess had come to England nine years earlier to be betrothed to Henry VIII's elder brother Arthur and, Samantha Wilcoxson tells us, both Margaret and her cousin Elizabeth of York had easily formed friendships with Catherine.
Well-educated, musical, intelligent, raised on principles of chivalry, a stellar champion at jousts and tournaments, and a stunningly handsome man to boot, young Henry VIII was, to many of his subjects, a ray of hope burning through the dark clouds of the final years of his father's reign, during which Henry VII's counselors (very likely not only with the first Tudor king's knowledge but even with his active encouragement) had placed financial thumb screws of an unconscionable size onto many of his nobles, bleeding them bone dry, and tossing all notions of law and due process to the winds. For Margaret Pole, like for many others, Henry VIII's reign began with great promise; in addition to being recalled to court to resume her position with Catherine of Aragón, she also regained in her own right the title of a Countess of Salisbury, which had been forfeit from her father and his heirs (along with her father's manifold other titles) upon his execution for treason. Holding this title in her own right made her, once again, one of the highest peeresses in the realm.
Left: Henry VIII (c. 1520; National Portrait Gallery, London, NPG 4690); center: Catherine of Aragón (c. 1525; portrait by Lucas Hornebolte); right: Princess / future Queen Mary I in 1544 (portrait by Master John)
But, just as her family's fate has in Plantagenet times been tied inextricably to the ups and downs of the conflicting kingships of the Houses of York and Lancaster, so now Margaret's own fate (and, it will turn out, that of her sons) is tied to the fate of the Spanish princess turned Tudor queen who has become her friend, and that Spanish queen's daughter Mary.
As in the story of Elizabeth of York, we are witnesses to the great (and small) events of the time only insofar as they impinge on the lives that we are intimately concerned with in this novel: those of Margaret, her own family, Catherine of Aragón, and princess Mary. (But really, who needs yet another novel detailing the political doings of Henry VIII himself?) Given Margaret Pole's position, that means, of course, that we are witnesses to Catherine's increasing heartbreak over her failed attempts to produce a male heir and over the repeated infidelities of her husband (who to add insult to injury, seems to have had no problems producing a son out of wedlock); as well as the early formative years of Catherine's daughter, the woman who, against powerful odds, will later manage to become England's first Queen Regnant: the very position that her grandmother Elizabeth of York had given up in favor of Henry VII and a united country, and a position which, prior to Mary, only the Empress Maud, wife of the Plantagenets' 12th century forefather Geoffroy d'Anjou, and Queen Mary Tudor's own cousin, the "Nine Day Queen" Lady Jane Grey, have ever even attempted to secure; and both attempts have failed spectacularly.
While attending to her duties at court, Margaret Pole also undertakes the renovation of the Salisbury manor house at Bisham and attempts to secure the futures of her own children, tasks that now, having regained the Salisbury title and income, she feels at greater financial leisure to attend to. Her promising eldest son Henry, created Baron Montague (and thus regaining another one of his grandfather's Neville titles) marries his distant cousin Jane Neville, a daughter of the family's Bergavenny branch: the match looks advantageous at the time, though politically it will turn out to be less so eventually. Margaret's second and youngest sons, Arthur and Geoffrey, are likewise popular at court (though not quite as successful as their eldest brother). Her third son, Reginald, enjoys the sponsorship of Henry VIII on his career path within the church. Her daughter Ursula, finally, seems to have made the most advantageous of all her children's matches, to the son of the powerful Edward Stafford, 3d Duke of Buckingham.
Far left: Reginald Pole (c. 1540, portrait by Sebastiano del Piombo); center left: Henry Pole, Baron Montague (late 1530s); center right: Lady, sometimes said to be Ursula Stafford née Pole (1536 portrait by Master A.W., Victoria & Albert Museum, London); far right: Edward Stafford, 3d Duke of Bukingham (c. 1520, Magdalene College, Cambridge)
Well aware of the lessons imparted by her own family's recent (and also more distant) history, Margaret tries to eschew all whispers of coalition-building and of any future for England other than one with a Tudor regent. When her brother-in-law Edward Stafford (having failed to take to heart the lesson from his own father's execution for treason, for conspiring against Richard III) fatally stumbles over his grab for power, Margaret manages to salvage at least part of, though by far not all of her family's fortunes and position.
Yet, similar to her cousin Elizabeth of York, from early childhood on she has found her greatest strength in her faith; and that faith, of course, is seriously tested when Henry VIII decides to rid himself of his wife Catherine, marry another woman who he hopes will finally give him his long-desired male heir, and proceeds to also divorce England from the Church of Rome into the bargain, now claiming for himself not only secular but also religious supremacy. And while Margaret even survives longer at an increasingly erratic and tyrannical Henry VIII's court than his second wife Anne Boleyn and Henry's chief advisor Thomas Cromwell – and this although she makes no bones of her continued loyalty to Catherine of Aragón and Catherine's daughter Mary, whom in defiance of a royal order she continues to call the Princess, not Lady Mary – eventually her own stance, and that of her family catches up with her: On the orders of the king, who has never forgiven Margaret's son Reginald – a Cardinal at the papal court in Rome now – for refusing to support Henry VIII in his attempts to convince the Pope to grant him a divorce from Catherine and dispensation to marry Anne, and for openly opposing the king's creation of the Church of England, Margaret's sons Henry and Geoffrey are arrested for treason; for being in cahoots with their brother the Cardinal. (Arthur has – happily? – died from a brief illness a few years earlier). Geoffrey is tortured into giving evidence against his own kin – an experience from which he will emerge a man broken in both body and spirit – and Henry, Baron Montague, as well as others of a similar stance, are executed after having been tried and convicted on the basis of the testimony brutally extracted from Geoffrey.
Margaret Pole herself is placed under house arrest, repeatedly questioned and eventually imprisoned in the Tower, but she is never tried. Not long before her sons' and her own arrest, she had compared herself to "her" shrub, planta genista: "Her Plantagenet shrub continued to thrust forth tiny yellow flowers late into the year, long after the more delicate roses had gone into hibernation. That was her, outlasting the beauties that should have enjoyed life longer."
But now, time is up even for the last surviving Plantagenet of her generation: One fine morning in late May 1541, literally out of the blue and still without ever having seen a trial, the 67 year old Countess is told that this very morning, courtesy of an executioner's (as it will turn out, excessively clumsy and botched) "art," she will be joining the many members of her family who have predeceased her; very likely even dying in the same spot as Anne Boleyn, the rival of her also long-dead friend Catherine for the hand and attentions of Henry VIII. Carved into a wall of Margaret's cell, this poem will be found after her execution:
"For traitors on the block should die;
I am no traitor, no, not I!
My faithfulness stands fast and so,
Towards the block I shall not go!
Nor make one step, as you shall see;
Christ in Thy Mercy, save Thou me!"
Almost 3 1/2 centuries later, she will be beatified as a martyr by Pope Leo XIII.
Even more so than in the story of Elizabeth of York, it is in describing Margaret Pole's path, overcoming the enormous trepidations brought on by the burden of her own family's legacy to stand beside her queen, Catherine, and Catherine's daughter Mary, that Samantha Wilcoxson comes into her own as a writer, and grabs her readers by their collective necks; only to leave us heartbroken at Margaret's fate. And yet, even now I can't wait to read part 3 of her Plantagenet / Tudor trilogy, which there is reason to hope will be dealing with Margaret Pole's erstwhile royal charge: Queen Mary.
Tower of London: Memorial for Margaret Pole, Henry VIII's wives Anne Boleyn and Catherine Howard, and others executed in this sport on Tower Green near the chapel of St Peter ad Vincula, below whose flagstones most of them were buried in unmarked graves (except for the two queens, who are remembered by memorial plates near the altar). (photo mine)